The vals took four months to learn. Film it from the floor
Cameras go to the corte, the padrinos and the primos. They film the mass, the vals and the hours after it, and our editors cut it into a film your family will still be passing around in twenty years.
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- Kits from $595 · four-week edit
- Editing included
- Shipping both ways
A twelve-hour day, and most coverage stops at six
Misa in the morning, photographs after, then a salón that doesn't empty until two. Hourly coverage runs out somewhere around the brindis. The corte, the primos and the padrinos are there for every hour of it, and they see the vals from inside the formation instead of wide from the back of the room.
Who should hold a camera: One camera with the corte, one with the primos, one with whoever your family calls 'the one with the phone.' Give the fourth to a padrino — they'll get the tables the teenagers never go near.
Start a quinceañera order- The last rehearsal of the vals in the living room
- Her father during the shoe ceremony
- The corte de honor, from inside the formation
- Every tía filming the same thing at the same time
- The dance floor once the formal part ends
Your guests get a plan, not a lecture
Every quinceañera kit ships with table cards that explain the camera in one sentence and name six things worth pointing it at — the entrada, the vals, the cambio de zapatillas, the brindis. The cards go on the tables at the salón, not at the church.
CAM 01REC
SHOT 01
Getting ready and the dress
CAM 02REC
SHOT 02
Misa and family arriving
CAM 03REC
SHOT 03
The entrance to the salón
CAM 04REC
SHOT 04
El vals and the surprise dance
CAM 05REC
SHOT 05
Toasts, cake, the shoe ceremony
CAM 06REC
SHOT 06
The rest of the night
AUG 07 2026
The vals, from three feet away
Months of rehearsal, and a hired camera films it wide from the back of the room. Your corte films it from inside the circle. Everything comes back to us and our editors build one film out of both kinds of footage.
Nosotros filmamos todo con los teléfonos y siempre sale igual. Esta vez la película tiene a toda la familia adentro, no solo el escenario.
La familia Restrepo · Hialeah, FLPick a package
Priced by cameras, not hours — a quinceañera is a twelve-hour day and hours are the thing you run out of. Most quinceañeras book four: the misa, the salón, and the hours after the formal part ends. Already have your own footage? We just edit that.
Two cameras
- 2 pocket 4K cameras, charged and labeled
- 2 wireless clip-on mics, one per camera, free
- Edited highlight film, 3–4 minutes
- Four-week edit
- Shipping both ways, return label in the box
Four cameras
- 4 pocket 4K cameras, charged and labeled
- 4 wireless clip-on mics, one per camera, free
- Edited highlight film, 5–7 minutes
- Vertical 60-second cut for social
- Three-week edit
- Shipping both ways, return label in the box
Editing only
- No kit ships — nothing to hand out or send back
- Upload from any phone or camera after the event
- Edited highlight film, 3–5 minutes
- Four-week edit
- Two rounds of notes
Quinceañera specifics
Our parish won't let a videographer move around during the misa.
Most won't, and this isn't the same thing — the cameras are pocket-sized and stay with people already sitting in the pews. Ask your parish anyway, because the rules vary and some restrict recording during the misa entirely. If the answer is no, the salón is where the kit earns its money.
The corte can't hold cameras during the vals.
Hand off before it starts. The usual arrangement is one camera on the tabletop tripod at floor level near the edge of the dance floor, one with a padrino standing, and the corte's cameras handed to the tíos for the three minutes it lasts. You get the vals from inside the room instead of wide from the back.
It runs until two in the morning. Batteries?
Plan for ninety minutes to two hours of real recording per charge, so a twelve-hour day needs rotation, not luck. Every kit ships with a battery handle and a charging dock — put two cameras on it during the cena and swap. That covers the misa, the vals and the hours after.
Can we get the vals as its own clip, separate from the film?
Yes. Ask at the rough cut and we'll cut the vals as a standalone piece alongside the highlight film, using the closest angles. Two rounds of notes are included, so it costs nothing to ask for once you've seen what came back.
Do you need the running order in advance?
Not required, but it helps. If you send the order of the entrada, the vals, the cambio de zapatillas and the brindis, plus the track for the vals, the editors know what to look for in four hundred clips instead of finding it by accident. A few lines in the notes field is enough.
These are the quinceañera questions. Booking, shipping, batteries, sound, returns and delivery are all answered in the full question list. Filming something else? See all event types.
Book the quinceañera kit
Two minutes now, a box at your door five days before the misa, a film a few weeks later. Our editors work in English and Spanish and the film keeps whatever language your family is speaking — note it at checkout.